Its eponymous protag may sprout wings, but Francois Ozon's latest, "Ricky," never really takes flight. Baffling tale of a baby who literally can't wait to fly the parental nest starts off as a kitchen-sink drama before moving into an uneasy mix of comedy and the grotesque, with character development replaced by airborne action in the second half. Some might detect an elaborate parenthood metaphor, but most auds will simply shrug their shoulders. "Ricky" opens in Gaul Feb. 11 on the heels of its Berlinale preem, but is unlikely to make the trek across the Atlantic.
Though inspired, like Ozon's previous pic, "Angel," by an English literary work -- in this case a Rose Tremain short story -- "Ricky" has more in common with some of the helmer's earliest efforts, including his feature debut, "Sitcom," in which the arrival of a freaky newcomer (a rat) throws a family into disarray.

知道這部電影的契機是無意中看到了某號解說了其中的一個片段，和《彼得的龍》一起。我以為是像這部一樣，家庭輕喜劇向電影。由于一直沒找到汁源，所以耽擱沒看，但也一直想補，今晚看完，其實有點震撼到我。跟我原本以為的家庭輕喜劇向完全不同，甚至是截然相反。以下都是我個人的胡亂猜測罷了。
首先電影整體氛圍的感覺并不愉悅，場景偏灰，37分時，帕克出門離開了以后，轉場音樂甚至有點詭異（是在我聽來的感覺）。電影開頭的引入是女主角很難過的在請求社會幫助。如果是不知劇情的觀眾看來

“瑞奇”像是一部未完成之作
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