http://blog.trivialfilm.com/2013/06/poison8.html
毒藥 Poison (1991)
本片獲得19991年第8屆圣丹尼斯電影節(jié)評(píng)委會(huì)最佳影片獎(jiǎng)。
電影講述了三個(gè)男性的性故事。第一個(gè)故事：它是采用紀(jì)錄片方式表現(xiàn)的，一個(gè)喜歡受虐的男孩在看到母親被父親打時(shí)，開(kāi)槍將父親打死，然后就自己逃走失蹤了。第二個(gè)故事：一個(gè)科學(xué)家提煉了一種液體，但是被他自己誤喝，于是他的皮膚開(kāi)始腐爛，而且腐爛逐漸傳染給接觸過(guò)他的人，此時(shí)雖然女助手對(duì)他不離不棄，但她也因?yàn)楦腥径?，最后科學(xué)家在自己全部腐爛后死去。第三個(gè)故事：一個(gè)監(jiān)獄犯人是同性戀，經(jīng)常回憶起自己以前日子里看到的男人受虐場(chǎng)景，并在與一個(gè)犯人接觸幾次后將他強(qiáng)奸。
這部電影看得我很辛苦，因?yàn)榫W(wǎng)上的字幕與我下載的視頻不匹配，所以我只能一邊調(diào)整時(shí)間軸一邊看，就這樣我用了三天時(shí)間終于看完了。這還不是最糟的，最糟的是網(wǎng)上僅有的這條字幕非常爛，它只是大概翻譯了對(duì)白，有很多對(duì)話都沒(méi)有翻譯。因此，這部電影我只能說(shuō)是大概看懂了，具體細(xì)節(jié)沒(méi)有辦法關(guān)注到了。
既然電影沒(méi)太看懂，所以我也不好評(píng)論什么
Queer filmmaker Todd Haynes' debut feature POISON dazzles as a multi-faceted cinematic triptych, three segments: Hero, Horror, Homo, all inspired by Jean Genet's novels (with his texts sporadically materialize on the screen as inner beacons), are intertwined altogether yet each is bestowed with a sui generis visual style that speaks volumes of Haynes' eclectic idioms.
In submitting to a prison life, embracing it, I could reject the world that had rejected me.
All night long I built an imaginary life of which he was the center, and I always gave that life which was begun over and over and transformed a dozen times a violent end.
I felt myself growing mean, icy, stiff, gleaming like a sword blade.
A man must dream a long time in order to act with grandeur, and dream is nursed in the dark.$#
【毒藥】我們見(jiàn)證口水變成鮮花降下，也聽(tīng)見(jiàn)天使在天花上放屁
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