And that, for me, it has to have some answers. And by “ answers”, I don’t mean just a punch line. It’s very hard to talk about these things without being very corny. You use a word like self-purgation or epiphany, they think you’re either a religious weirdo or an asshole college professor. But those are the words for the process, this transmutation, this renaissance, this rebirth, which is the basis of all life. The one rule that all man, from the time they first were

2023.9.3
正在四樓自習(xí)室看黑暗之心的我
突然被一個(gè)湊上來(lái)的陌生臉龐打斷
“學(xué)長(zhǎng)，你是鄭州的嗎？”
這樣突如其來(lái)的問(wèn)法一度令我的腦袋宕機(jī)，怎么可能看出一個(gè)人是哪的？
他而后又問(wèn)“你是24的嗎？”
我強(qiáng)壓鎮(zhèn)定，往事的回憶如洪水般把我包裹起來(lái)
“啊嗯，你是？”
“我是你學(xué)弟??！”
“咱倆一個(gè)小學(xué)還一個(gè)高中！王志逸你還記得嗎！”
隨后他向我講起了好多東西，一口一個(gè)河南口音的哥喊著，那些蒙上厚厚灰塵的玩具記憶終被喚醒……
這位高中學(xué)弟當(dāng)年通過(guò)我的QQ空間

利用埃莉諾當(dāng)年拍攝和錄音的素材，真實(shí)展現(xiàn)了現(xiàn)代啟示錄238天的拍攝過(guò)程！看完這片，我覺(jué)得不能只說(shuō)科波拉瘋了，這個(gè)劇組就沒(méi)有正常人?。〔⑶铱撇ɡ踔敛皇亲畀偟?，我覺(jué)得她老婆是最瘋的！
啥精神狀態(tài)帶著仨未成年孩子去菲律賓，不是去度假，而是去片場(chǎng)啊，衛(wèi)生和安全問(wèn)題都很難保證??！說(shuō)到科波拉抵押教父1和2掙來(lái)的私產(chǎn)，她說(shuō)22間房的大宅太奢華了，沒(méi)有這樣的豪宅反而更舒服。認(rèn)為科波拉拍片是總是從極致開(kāi)始但最終回歸正常，因此對(duì)他充滿信心。拍攝人家犧牲場(chǎng)面

【黑暗之心:一個(gè)電影人的啟示錄#Hearts of Darkness: A Filmmaker's Apocalypse#1991】
【1 開(kāi)頭語(yǔ)】如果按照我的進(jìn)度，約摸估計(jì)要到一年後才會(huì)有緣欣賞此片，但是在這個(gè)一切鏈接起來(lái)的是世界，一切皆有可能的樣子，而且原本就是我的潛意識(shí)吸引過(guò)來(lái)的。
以後我也會(huì)堅(jiān)持四條線的觀影途徑: 時(shí)間順序；集合（國(guó)家，導(dǎo)演和演員）；類型；頭腦風(fēng)暴般亂序。
昨晚跟一個(gè)影友爭(zhēng)論關(guān)於【馬龍白蘭度】互相不妥協(xié)，在我推薦給他【馬龍，聽(tīng)我說(shuō)】后，他建議我看看【黑暗之心】

影片的最後，我們聽(tīng)到Orson Welles的朗讀，
“The river, sleepless, crowded with memories of men and ships, hunters of gold and the pursuers of fame, What greatness has not flowed on the ebb of that river, into the mystery of an unknown earth. The dreams of men, the seeds of commonwealths, the germs of empires. The river is black tonight, my friends. Look, it seems to lead to the heart of an immense darkness”
河流，無(wú)眠，充斥著人和船隻的記憶，追名逐利者

《黑暗之心》宏大！幻覺(jué)支持我們活下去
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