The performance of war widows in Israeli films is one of the most complex issues in the local film industry, as it seems unique, with very local and specific images. War widows are a difficult character to digest. Because this is a particularly painful topic in Israel, its representation model is almost always problematic. Gila Almagor's siege in Tofano is one of the first characters of ';'; contemporary War widows will appear on Israeli film screens. It is not until her complex and exquisite appearance in this film that the human and social complexity of widow status is fully and personally reflected. Prior to this film, most of them were clich é s of heroic women who sacrificed their lives for the country, creating characters that are difficult to attach to and express their personal sadness. besieged by an unknown Italian at the time Directed by the director. Although Gilberto Tofano became a professional director inspired by the French New Wave of the year, he successfully created a very exciting work that captured the warmth and social encirclement around Israeli widows, including their enormous expectations and social stigma. Tofano wrapped his female lead in a lot of warmth and honored Almagor for his impressive performance in the film. Undoubtedly, this is one of Almagor's best and most accurate performances. The restraint in her performance, coupled with Tofano's cinematography and expressive use of angles, as well as his soft European style, which is far from radical local products, successfully created a sense of documenting real tragedies with a tangible personal style that minimizes the national dimension. This result proudly withstood the test of time decades after its birth.