freeOK概要：This is a great film directed by a great director. Kira Muratova never received the treatment she deserved in the Soviet Union and post Soviet Russia; Goodbye, goodbye; She portrays a seemingly mediocre story about a jealous and possessive mother (portrayed brilliantly by Zineda Shako) and her pitiful, aloof, and lonely son (the only film character of talented O. Vladimirsky). This story itself has nothing special, it grows into a fascinating and terrifying analysis of gender and intergenerational alienation, set against a more terrifying and dehumanizing reality of the Soviet Union. Kira Muratova showcased the small details of daily life in the Soviet Union, although they were mediocre and chilling. The dialogue is deliberately concise and meaningless, indicating that more and more people are unable to communicate and understand each other. The sound track (created by another underrated genius, Oleg Karavachuk) adds an atmosphere of despair and meaningless existence. Of course, Sasha (the protagonist's name) will eventually leave his authoritarian (but full of love!) mother, but where will he go? (c) Author: drbagrov from Taiwan
網(wǎng)友收藏КG - The POT - russian films' sub聯(lián)合國科教文組織：各國電影遺產(chǎn)15佳蘇聯(lián)禁片錄（Запретные / Полочные фильмы СССР）《當代俄羅斯電影》一書正文所提及之蘇俄片選最值得推薦的蘇俄電影
This is a great film directed by a great director. Kira Muratova never received the treatment she deserved in the Soviet Union and post Soviet Russia; Goodbye, goodbye; She portrays a seemingly mediocre story about a jealous and possessive mother (portrayed brilliantly by Zineda Shako) and her pitiful, aloof, and lonely son (the only film character of talented O. Vladimirsky). This story itself has nothing special, it grows into a fascinating and terrifying analysis of gender and intergenerational alienation, set against a more terrifying and dehumanizing reality of the Soviet Union. Kira Muratova showcased the small details of daily life in the Soviet Union, although they were mediocre and chilling. The dialogue is deliberately concise and meaningless, indicating that more and more people are unable to communicate and understand each other. The sound track (created by another underrated genius, Oleg Karavachuk) adds an atmosphere of despair and meaningless existence. Of course, Sasha (the protagonist's name) will eventually leave his authoritarian (but full of love!) mother, but where will he go? (c) Author: drbagrov from Taiwan展開
