沖著范冰冰“復(fù)出”之作去看的，結(jié)果大失所望。個人感覺整部電影就像冰冰姐的臉，空洞無物。
能理解導(dǎo)演想反映女性生存環(huán)境的惡劣，提倡女性之間的互幫互助，但人設(shè)完全沒立起來、各種硬傷不斷、故事又全面拉胯，導(dǎo)致冰冰姐在片中被虐得越慘，觀眾越是一臉懵逼，想同情都不知該從哪里同情起啊。真·腳趾扣地。
隨便舉個例子，雙女主對話一會兒用普通話，一會用韓國話，先不考慮觀眾的感受，她倆真能聽懂對方的話？不要說觀眾出戲，你們自己也難入戲吧？
看得出影片想往現(xiàn)實主義方面靠，但兩主角活得太漂浮了

電影開始，女一作為海運港安檢人員出場，隨后女二背包出現(xiàn)，掃視一圈后鎖定女一的隊。
女一掃描到女二鞋子儀器發(fā)出異響，女一要求她脫下鞋子。
倆人發(fā)生肢體接觸，女二的手搭在女一肩膀，還貼在她耳邊突然出聲嚇?biāo)惶??！具@段曖昧戲處理得比較有看點，但不如《妮娜》和《安檢》，女二太油了（粉絲別噴我）。】
女一堅持檢查鞋子，這時她的上級出來干涉，（這里就猜測上級有問題。）
女二鞋子不要閘機也不過轉(zhuǎn)身走了?！距牛烤妥屗吡?？要走也得確定沒問題才能走吧？】
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女一下班錯過大巴

I was born in a port city in China across from the South Korean city of Incheon, separated by the sea. As a child, I saw many women embark on a journey across the ocean, driven by their unshakable determination to earn a better wage in Korea and escape the anxiety they faced in their hometown. Many of them never returned. To some, their disappearance seemed gratuitous, but I soon inferred it must have been a conscious choice they made after enduring repression of their dre

“綠夜”2023，捋一遍劇情，順帶吐槽（劇透慎入）
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