電影結(jié)尾，片名標(biāo)題（LE DAIM）出現(xiàn)后，又放了一段男主用DV拍攝的影像。影像中，一群鹿小跑著，自由地徜徉在山間。鏡頭之后切向自己，他像一個(gè)孩子般指著遠(yuǎn)方的鹿，眼里充滿了純真，溫柔，向往。
他以為，當(dāng)自己披上鹿皮時(shí)，應(yīng)該就能像它們一樣自由了吧。
一步一步，他終于用鹿皮將自己全副武裝。夾克，皮靴，帽子，長褲，手套。毫無縫隙。此刻，他認(rèn)為自己終于完全蛻變成了一頭鹿，一頭自由的鹿，興奮地在山間奔跑著。而等待他的，卻是一把獵槍。
鹿死了，鹿皮還在。女剪輯師從死人身上扒下鹿皮，穿上它

French absurdist Quentin Dupieux, also known as Mr. Oizo in the music sphere, emerging with his mega-single FLAT BEAT circa the millennium, he is a computer wiz adept in sampling an aleatory style of electronic beats and strains. Starting from directing music videos, his sideline diet of filmmaking has a consistent output since NONFILM (2002), with sui generis quirks like RUBBER (2010) and WRONG (2012), DEERSKIN is his eighth feature, debuted in the Directors’ Fornight at

《鹿皮》一場風(fēng)扇葉無差別殺人事件
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