這片開頭一般，漸入佳境，看完之后喜歡極了。這片講蘇聯(lián)著名芭蕾演員魯?shù)婪蚣~瑞耶夫在巴黎演出時脫離蘇聯(lián)國籍，留在法國的故事。原以為電影里會有很多政治，意識形態(tài)之類的沖突，然而并沒有，這是一個純粹的關(guān)于藝術(shù)的電影，無關(guān)政治，只關(guān)注舞蹈。
現(xiàn)在進行的這條時間線很短，所以還有小時候在鄉(xiāng)村生活和去圣彼得堡學(xué)習(xí)舞蹈兩條時間線。很喜歡三條時間線交替剪輯的方式。男主角回憶小時候見到久歸的父親和在冬宮博物館看到的倫勃朗的名畫浪子回頭這里，男主在嘗試從不同的藝術(shù)形式中體驗不同的表達情感
The first dance, which I will name the mother's look in my summary, is the first debut of the white crow. He came from a humble background, and he always remeber the early rising of his mother because she need to drag the sleigh of food back in the snow. The smile and eyes of his mother when she find the boy waiting beside the window imprints on the boy's mind. He came across another lady at his mother's age, his teacher's wife, whose love makes him unable to breathe. His
If you have absolutely no idea of who Rudolf Nureyev (1938-1993) is, like as not, your immediate reaction after watching UK thespian Ralph Fiennes’ third directorial feature THE WHITE CROW would be what monstrosity of a man he is, whose arrogance is simply up to eleven, which appreciably dents audience’s empathy towards the subject, that could be a sticking point for a biopic.
對這部影片有感大約源于與主角成長過程的共鳴。拋開壞脾氣不談，雷利耶夫小時候因為父親從軍的緣故，只與家中一眾姐妹和母親度日。或許也是因此耳濡目染了女性的種種姿態(tài)，在一次劇院觀摩后走上舞蹈的道路，并將女性美融入表演中，開創(chuàng)了芭蕾舞男演員舞蹈的新風(fēng)格。
片中主角在與居住在巴黎的一眾斯拉夫伙伴們觥籌笑談到天明后，在回宿舍的路上自言自語畫家倫勃朗的經(jīng)歷，對自己進行鼓勵：家中九個兄弟姐妹——開創(chuàng)了繪畫的新風(fēng)格清晨的廣場空無一人，石板地面沾著露氣，古典建筑在開闊的視野中延展
【白烏鴉】[Film Review] The White Crow (2018) 6.9/10
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