一個(gè)中年男人如何因出軌被妻子槍殺的故事。如果非要說(shuō)這部電影表現(xiàn)了什么，那就是主人公有多么自以為是，他沉浸在自己幻想的王國(guó)當(dāng)中，就像他妻子對(duì)著路人大喊的：（主人公）「認(rèn)為全世界女人都為你著迷」。不同于好萊塢式傳統(tǒng)敘事——出軌對(duì)象對(duì)主人公的「用后即棄」。猛烈的當(dāng)頭棒喝之下又企圖尋回舊日溫情，才發(fā)現(xiàn)曾經(jīng)的港灣已向他關(guān)上大門(mén)，門(mén)上甚至釘滿鋒利的刺。這一設(shè)置也該讓主人公以及觀眾意識(shí)到，地球并非繞著你一個(gè)人轉(zhuǎn)，你不能隨心所欲什么都想要，選擇同時(shí)意味著放棄。

Although we note the same good eyes for details, "Soft Skin" is not a good Truffaut. What we are missing here is the director's hallmark irony and sardonic witticism, facing what is (inevitably) Absurd in romance. The wife's face shows great strength of character, and the man is weak and pathetic, as usual, but not in the puppy-ish, child-like ways in other Truffauts. There is little humor, and not enough background as to whether there is a pattern of philandering, or other aspects of the man's and the woman's character that can explain, first of all, why they are man and wife to start with; and second, why the abrupt tragic end.
A few things to look out for:
- The kitty in the breakfast tray;
- the leopard skin conversation;
- the extraordinarily inane conversation of the women.

柔膚：出品精良的愛(ài)情片 那些法國(guó)女人們
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