引用《月亮與六便士》中的一段陳述，非常精確的道出了這兩個(gè)人的關(guān)系。
可能是電影大師吧，本質(zhì)上就一自戀狂。把女人當(dāng)成血包吸食，用于緩解妨礙他創(chuàng)作的陰暗面，所謂的愛情和靈魂伴侶，都是自戀型人格障礙欺騙自己和他人的手段。一旦吸血成功，這個(gè)女人就成了奴隸，變成影響他追求理想的累贅。可憐的女人還因?yàn)槟腥说囊痪滟澝烙X得無比光榮。一顆星不是給電影的，而是給這位大師的人格。
(劇透) 一個(gè)七十多歲的老婆婆，在鏡頭面前向全世界講述她跟藝術(shù)家的愛情故事：她是著名挪威女演員莉芙烏曼(Liv Ullmann)，藝術(shù)家是已故的瑞典電影大師英瑪褒曼。女演員和導(dǎo)演，不是順理成章也是近水樓臺。她是他的御用女主角、靈感女神，在拍攝電影《假面》 (Persona)的時(shí)候燃起愛火。那時(shí)候，雙方皆已婚，那是不倫之戀。他們拋開元配在Faro小島上相宿相棲，不結(jié)婚但育有一女，但愛火最終也炙熱傷人。
褒曼的控制慾和嫉妒心甚強(qiáng)，他要成為烏曼戲裡戲外的導(dǎo)演，逼使她除了演戲的時(shí)候、以及逢週三的「假期」外
孩童 大海 peaceful
LETTER from INGMAR
Now there is only one demand
and that is to be alive
Dare to give life, dare to receive life
And dare to let it hurt
and dare to let it feel good
To dare, my love
SECURITY
At night, and I am not talking sexually now, lying in that bed, listening to the ocean and the way he held around me and there was nothing unquestionded.
Daughter and Security
HOW CAN I EXPLAIN THE ENORMOUS FEELING OF SECURITY IN KNOWING THAT NOW SHE WAS WITH ME IN THE WORLD?
I lay in my bed the first night after she was born and twisted the ring he had given me, put on the light to admire it, read the letter he had written to his daughter and me. NO DANGER COULD REACH ME TAHT NIGHT.
LONELINESS
“麗芙與英格瑪”英格瑪·伯格曼新作，Security
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