Another Oscar BEST PICTURE winner confected by Vincente Minnelli, the maker of GIGI (1958), comes a cropper as a fustypomp through the test of time, AN AMERICAN IN PARIS,a studio-bound pageant jovially trades on Gene Kelly’s terpsichorean aptitude, Oscar Levant’s pianistic virtuosity and Georges Guétary’s mellow tenor, also introducing a barely 20-year-old Leslie Caron, who fares way better on pointe than acting love-torn between two men.

對于這部電增曾在評論上超過雨中曲（起碼在獎項上看），很多人是不服氣的。的確，影片故事傳達(dá)出的價值觀我不能茍同。男女主角在相戀過程中雙雙劈腿。男主角表面上排斥富家女對自己的種種資助，實(shí)際上卻一直在利用他為自己解決生活問題，還在與她約會時當(dāng)眾勾引女主角。更無語的是，過后富家女不但選擇原諒，還為他提供更多好處。這劇情若是放在現(xiàn)在，編劇早就被罵成直男癌晚期了吧。更無語的是女主角，直接到了出軌的程度（男主角起碼和富家女只是曖昧的關(guān)系）。無論她演得多么無辜，舞蹈跳得多么美

“一個美國人在巴黎”好看！LOVE IT!
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