The final chapter of director John Frankenheimer’s paranoia trilogy (afterTHE MANCHURIAN CANDIDATE 1962 and SEVEN DAYS IN MAY 1964), SECONDS posits the possibility of a second chance to start one’s life with a clean slate, through proper plastic surgeries and a fake death, and our protagonist is a 51-year-old bank manager Arthur Hamilton (Randolph, cogently laying bare his ambivalence concerning the wacky proposition), who is consequentially, reborn as Tony Wilson (Hudso

客觀的青春自由無罪。什么嬉皮精神成了消費(fèi)社會的幫兇。消費(fèi)社會從何而來？人。這一切的幫兇都只是人自身的各種欲望。與什么嬉皮精神無關(guān)別尬黑學(xué)幾個破詞匯凈亂扯污名化嬉皮精神。為了黑嬉皮什么都跟它硬扯上關(guān)系是吧。
劇情不夠連貫驚悚元素沒有完全不嚇人故事也無比簡單就是美國中年男子心理危機(jī)尋求青春與自由。整個片都在無病呻吟不作就不會死。一開始亞瑟沒有珍惜現(xiàn)有生活身在福中不知福真正改頭換面變成另一個人后又無比懷念希望回到從前的生活各種作最后又被弄死了

第二生命：深刻！驚世駭俗的脫胎換骨
轉(zhuǎn)載請注明網(wǎng)址: http://www.mmedi.cn/archives/id-35803.html