Stephanie Spray's Untitled depicts a photo of two Nepalese newlyweds resting and frolicking in an interaction, challenging our understanding of the two core themes of ethnographic filmmaking: interpersonal relationships and the way audiences experience them. The 14 minute long "Untitled" is unedited, rejecting the meaning of the edited segment and intentionally excluding subtitles in the conversation between the couple. The style of this movie faces the history of ethnography, considering it a controversial one, rejecting any explicit information or meaning behind the content we present, and challenging the audience to provide their own answers to any questions that may arise.