freeOK概要：After spending 7 years in prison, Paul (played by Paul Lyss) regained his freedom. He celebrated his return with his old crew. Nothing really changed, and soon he found himself intoxicated at a luxurious party, waving a big gun in the end. The handheld camera movement made in Dogma-95 style and tense cutting makes it an interesting 1970s European crime movie. In the mid-1960s, influenced by the French New Wave (Godard, Truffaut, Rivette, etc.), Max Zilman and other filmmakers gathered around the Oberhausen Manifesto with Rudolf Thom; Papas Kino is tot, es lebe Papas Kino established the; The New Munich Group; As an independent creative team, dedicated to producing short films and feature films. At that time, this small group of film enthusiasts worked closely together to produce a late night screening of a movie with a very limited audience, usually a comprehensive film, where each director had the opportunity to screen one movie.
After spending 7 years in prison, Paul (played by Paul Lyss) regained his freedom. He celebrated his return with his old crew. Nothing really changed, and soon he found himself intoxicated at a luxurious party, waving a big gun in the end. The handheld camera movement made in Dogma-95 style and tense cutting makes it an interesting 1970s European crime movie. In the mid-1960s, influenced by the French New Wave (Godard, Truffaut, Rivette, etc.), Max Zilman and other filmmakers gathered around the Oberhausen Manifesto with Rudolf Thom; Papas Kino is tot, es lebe Papas Kino established the; The New Munich Group; As an independent creative team, dedicated to producing short films and feature films. At that time, this small group of film enthusiasts worked closely together to produce a late night screening of a movie with a very limited audience, usually a comprehensive film, where each director had the opportunity to screen one movie.展開(kāi)
