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    FREEOK預(yù)告場赤腳青春
    赤腳青春

    赤腳青春

    Barefooted Youth

    影片信息

    赤腳青春
    • 片名:赤腳青春
    • 狀態(tài):已完結(jié)
    • 主演:申星一/嚴(yán)鶯蘭
    • 導(dǎo)演:金基悳
    • 年份:1964
    • 地區(qū):韓國
    • 歸類:預(yù)告片
    • 頻道:dy
    • 上映:1964-02-29(韓國)
    • 語言:韓語
    • 更新:2025-09-12 22:38
    • 豆瓣:0.0
    • freeOK概要:This movie is a Corinthian old song that dates back to the mid-1960s. It's always surprising to see my parents in their country when they were young, just like when they were truly young. Although time is far away, I am surprised by how familiar everything seems. Indeed, this movie was released ten years after the end of the Corian War. In this situation, a military regime controls the peninsula and restricts freedom of speech. One thing I have noticed from many (but not most) films of this era in the history of Correa is that there is a powerful component in the production of neorealistic films, which reminds me of Italian neorealistic cinemas after World War II. This movie is not a new realism work. It does not focus on the past, but weaves a story of two lovers separated by class. Our protagonist is Du Su, a notorious criminal with a strong sense of honor. She meets a group of thugs and saves a high-ranking Corian woman named Joanna from their hands. They quickly formed a romantic relationship, and their respective worlds also had some communication, but these things never had a good outcome, especially in Corian movies where their respective worlds could potentially tear them apart. Like many films of this era, the technical aspects of this film lack refinement, but the performance is natural. The director even made some attempts beyond the straightforward style, including some interesting quick cuts and the use of framing and scenes to construct symbolic meanings. One of my favorite moments is kissing and a pane of glass. Of course, this may be a bit harsh, but I still find it very interesting. The story is quite straightforward, detailing the lives of these two lovers and the forces that led them to draw conclusions. What I like about it is how clean and simple it is. There is no unnecessary distraction, it seems like there is nothing to hype up this drama, and surprisingly, in a film culture filled with plotlines, plotlines are so limited. The ending seems a bit redundant, and the dubbing work is also a bit too standardized, which reminds me of early Hollywood sound pictures. Although this story did not reach any spectacular climax and took some time to start, its clean and straightforward nature is surprisingly easy to enjoy. From my research on the Internet, I can see that "Barefoot Youth" is an example of popular youth films at that time, and I can see its appeal. Although Barefoot Youth is not a touching masterpiece, it has enough appeal to make those who are interested in watching it discover some cuteness. 7/10.

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      給影片打分《赤腳青春》
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      • 赤腳青春 圖1

      freeOK概要

       網(wǎng)友收藏《看電影》評選韓國電影百年TOP10020~90年代(??)的部分韓國經(jīng)典電影韓國電影TOP100ptp ing我看過的評價(jià)人數(shù)少于1000的冷門電影
      This movie is a Corinthian old song that dates back to the mid-1960s. It's always surprising to see my parents in their country when they were young, just like when they were truly young. Although time is far away, I am surprised by how familiar everything seems. Indeed, this movie was released ten years after the end of the Corian War. In this situation, a military regime controls the peninsula and restricts freedom of speech. One thing I have noticed from many (but not most) films of this era in the history of Correa is that there is a powerful component in the production of neorealistic films, which reminds me of Italian neorealistic cinemas after World War II. This movie is not a new realism work. It does not focus on the past, but weaves a story of two lovers separated by class. Our protagonist is Du Su, a notorious criminal with a strong sense of honor. She meets a group of thugs and saves a high-ranking Corian woman named Joanna from their hands. They quickly formed a romantic relationship, and their respective worlds also had some communication, but these things never had a good outcome, especially in Corian movies where their respective worlds could potentially tear them apart. Like many films of this era, the technical aspects of this film lack refinement, but the performance is natural. The director even made some attempts beyond the straightforward style, including some interesting quick cuts and the use of framing and scenes to construct symbolic meanings. One of my favorite moments is kissing and a pane of glass. Of course, this may be a bit harsh, but I still find it very interesting. The story is quite straightforward, detailing the lives of these two lovers and the forces that led them to draw conclusions. What I like about it is how clean and simple it is. There is no unnecessary distraction, it seems like there is nothing to hype up this drama, and surprisingly, in a film culture filled with plotlines, plotlines are so limited. The ending seems a bit redundant, and the dubbing work is also a bit too standardized, which reminds me of early Hollywood sound pictures. Although this story did not reach any spectacular climax and took some time to start, its clean and straightforward nature is surprisingly easy to enjoy. From my research on the Internet, I can see that "Barefoot Youth" is an example of popular youth films at that time, and I can see its appeal. Although Barefoot Youth is not a touching masterpiece, it has enough appeal to make those who are interested in watching it discover some cuteness. 7/10.

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