【Season 4 Episode 1】
「I'm a single mother. My son is 18. He's having a lot of emotional problem right now and, uh, you know, it's hard being a woman alone with no one to turn to for help. I bet you could help me. Won't you please see him?
↓
I'm gay.」
【Season 4 Episode 2】
「I knew this was the best way to get you... to ignore you. That you'd start worrying about me. Because you do love me. That's the heartbreak of it all.」
「We just don't belong in this world anymore, mother. We're broken. We've tried. We want peace and happiness, but the world just won't allow it. So let's take ourselves out of the equation. Because whatever there is after this, we will have peace. And we will be together.」
【Season 4 Episode 3】
「Sometimes, a person might think someone needs help because they are actually the one that needs help.」
這是一部小眾的美劇，很少有論壇或是公眾賬號提及它的名字。在如今“《權(quán)游》一出，誰與爭鋒”的年代，它似乎顯得有些默默無聞。但其實查一下imdb上的評分，截至目前的四季評分均在8分之上，足以說明此劇的品質(zhì)。
其實此劇并非沒有來頭，作為希區(qū)柯克大神的經(jīng)典之作《驚魂記》的前傳，本劇對Norman Bates——這個美國電影史上最著名的精神病患者形象——的少年時代展開了一番想象。
Norman 是一個帶有藝術(shù)氣息的纖弱少年，家庭的不幸使得Norman的性格越發(fā)的敏感而脆弱，對相依為命的母親Norma產(chǎn)生了深深的愛戀。盡管這世界上對于戀母這件事有成千上萬種解釋，對于我而言，Norma和Norman之間則是徹頭徹尾的愛情。夜色下的湖面上一葉扁舟中，Norman對Norma吟誦的是《簡愛》里面的詩句；Norma與Norman會依偎在床上一起看電影，空虛寂寞冷的時候會相擁而睡，也會把冷漠作為對對方最好的報復(fù)；面對對方與異性交往，都會醋性大發(fā)，不攪黃對方戀情不會善罷甘休。種種小性子、小心機、欲說還休、欲罷不能，“你是我的唯一，你是我的整個世界”，“你和我是一體的
“貝茨旅館 第四季”孤獨到連幻想也離你而去
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