Maggie Gyllenhaal，是沖著她來看這部片子的，第一次看到她獨特的笑容，是在《蒙娜麗莎的微笑》里，那個敢愛、敢承認(rèn)的女孩，覺得她的氣質(zhì)有些像莫文蔚，她的笑容最為特別，讓人過目不忘。
三段故事里的人物相互串聯(lián)，理不出清晰的頭緒，但卻不會成為困擾，最后的Happy ending，讓人覺得很舒服。
其實生活本身也是這樣的吧，生活在一個不大不小的城市，我們總是會和周圍的人產(chǎn)生這樣那樣的鏈接，某一天，你總會發(fā)現(xiàn)，之前出現(xiàn)在你生命離扮演過或輕或重角色的人，又會以另一個身份重新站在你面前，可笑的就是像是一出戲。

經(jīng)常會有人把生活本身和戲做比較，孰真孰假，并不重要，覺得要以看戲的態(tài)度生活才最重要吧，開心就好，不用去衡量，判斷，定義，用真實的感情體會真實的生活，悲傷也是一種珍貴的體驗，總會有一個Happy ending……

影片開始就講這部影片可以看作是喜劇，是啊，同性戀、墮胎、亂倫，等等等等揉雜在一起，本來就很幽默，不是么。這個社會的容納度開始變得越來越大，喜?。勘瘎?？不管怎樣，只是一出戲劇罷了。
不知道片中那個非常非常像諾拉瓊斯的聲音是誰的，很喜歡。

This film to me is about redeeming qualities of however flawed personalities. There is no evil here, and in this sense it is not very American, in a more puritan, Manichean sense. We are led to believe that the wrongfulness of people's behavior has more to do with unthoughtfulness or carelessness, than plain wicked nature or ingrained vice. Very refreshing.
　　
Yet, precisely for this reason, the film would have been stronger if the plot strains credibility a bit less. It is a comedy about the reality of human conditions, if you will, therefore it must present a illusion of some sort of reality. The writer/director, hoever, indulges in too many caricatures and cartoonish turns of events to stay close to that illusionof reality. Too bad.
The film could have been enlightening; now it is only entertaining.

【幸福結(jié)局】驚喜連連！她竟然開口歌唱
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