結(jié)構(gòu)松散，群像太多導(dǎo)致人物關(guān)系混亂，每個人的事兒都提一嘴，法語說的飛快有時候不得不暫停下來回溯剛剛談了什么，把應(yīng)該拍劇的題材拍成了兩小時的電影。
可還是很好看，是我喜歡的偽紀錄片風(fēng)格，題材也棒，無條件五星。
本片講述了巴黎警察系統(tǒng)的一支特殊隊伍——青少年警隊（Juvenile Protection Unit），本片中縮寫叫CPU，他們是負責(zé)保護未成年人的警察，他們目睹了許多惡性案件，包括兒童被虐待、兒童失蹤以及虐待兒童的父母等等。
劇情主要以小組成員各自的個人經(jīng)歷和生活為線索

juvenile problems is the troublesome issue which is relevant to complicated factors like morality, consicousness, conscience, sexual impact and orientattion. Along with the final jump of Keres, it shows the great influence on what they work on to their personal life. Once we can grasp the peak and resonsibility to those who need we to care, we have to indulge in the circumstance and make us feel the sadness and happiness, hurt what they bear, then impatience, bad mood and nagative attitude even the thinking against what we have may burst into the supreme option, which makes the shocked scene.

《警員》麥溫監(jiān)制，現(xiàn)實世界和理想世界
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