A trio of Italian “giallo” pictures made in the 1970s, all enmeshed in lurid murders whose victims are exclusively the members of the weaker sex (mostly sylphlike, nubile girls), but each with their different kinks and kicks.

玩喪尸最起興的導(dǎo)演居然玩起了懸疑也這么出色！盡管影片前半段的節(jié)奏就像他電影里的喪尸一樣慢吞吞的行走，但峰回路轉(zhuǎn)的那一刻才開(kāi)始?xì)J佩不已，這就是被喪尸捉住然后掏腦子的速度啊，根本停不下來(lái)好吧！一個(gè)又一個(gè)謎團(tuán)的解開(kāi)像節(jié)日里的煙花一樣照亮了灰暗的人生有木有！信息量之大比他在《活死人之城》里下的那場(chǎng)驚世駭俗的蛆雨還要多有木有！墻壁里的兇殺終于能及時(shí)得救，愛(ài)倫坡可以死而瞑目了有木有！可怕的過(guò)去就像手榴彈上的弦，輕輕一扯就把未來(lái)炸碎了有木有！
盧西奧·弗爾茲埋下的那條線索太重要了

引人入勝！《黑暗中的音符》—難得一見(jiàn)的“另類”Lucio Fulci
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