In a movie he claimed to have been inspired by Charles Baudelaire, Brodthal utilized animation techniques. He used a pencil on a white card to draw his initials in twenty-four stages and captured each picture at an opening on the camera shutter. The resulting movie was screened at a speed of 24 frames per second, so it only lasted for one second. It is continuously looped through the Folker Skulima Gallery, with a carved replica of frame 24 next to it, as a way to present a static image on top of a dynamic image.