美學(xué)大師蔣勳認(rèn)為鬼才達(dá)文西最有名的一幅壁畫(huà)「最後的晚餐（Last Supper）」提供了答案，因?yàn)椤高_(dá)文西要繪畫(huà)的不只是『晚餐』，而是一個(gè)生命不可逃避的宿命主題——死亡?！故Y勳在「破解達(dá)文西密碼」一書(shū)中這麼說(shuō)。 　　與達(dá)文西畫(huà)作同名的這部紀(jì)錄片，同樣延續(xù)了達(dá)文西的企圖，除了揭開(kāi)環(huán)繞著死亡周遭的神秘外，更讓世人思考被決定的死亡（死刑）的荒謬。而讓知道死亡即將來(lái)臨的人享用（選擇）最後一餐，究竟是因?yàn)樾叛?？贖罪？憐憫？還是讓活的人自己心安？ 　　紀(jì) 錄片「最後的晚餐（Last Supper）」以最?lèi)好颜玫拿绹?guó)德州Huntsville州立監(jiān)獄中，十幾年來(lái)共為200個(gè)死刑犯準(zhǔn)備「最後晚餐」的廚師Brian Price，如何料理這「最後晚餐」為主軸，同時(shí)考據(jù)了歷史上不同時(shí)期，與世界上不同國(guó)家關(guān)於「最後晚餐」的不同處理方式，用訪問(wèn)、紀(jì)錄、動(dòng)畫(huà)等不同表現(xiàn)手法，探討這個(gè)從來(lái)沒(méi)有人深入研究的問(wèn)題——為什麼多數(shù)有死刑的國(guó)家都會(huì)有「讓將死的人吃飽了再上！」這個(gè)習(xí)俗？ 　　這部紀(jì)錄片頗令人震撼，讓我們得以明白與思考「最後的晚餐」的詭異，不過(guò)就如蔣勳詮釋畫(huà)作「最後的晚餐（Last Supper）」所下的註腳一樣：「我們都被設(shè)計(jì)在這幅鉅作中，我們不妨在裡面找一找自己?！?　　Directed by Lars Bergstrom & Mats Bigert 　　"What would our expression be when we forsee the coming of death?". Jien Shuen's own personal take of Leonardo di Vinci's Last Supper poses an answer to that question. Jien felt that it was death that di Vinci tried to present in the masterpiece. "It wasn't the supper that di Vinci tried to draw" said Jien, "but the evitability of death that he presented." 　　Last Supper, the documentary, chronicled the notorious Huntsville state prison in Texas. The film captured how Brian Price, chef of the prison and maker of the literal final supper to 200 plus inmates for more than a decade, presents the main course of the film. The film also tap into how different countries at different eras prepared their last suppers through interview, animation, and documentaries. Most countries with death penality share the concept of "the final meal", something that is yet to be discussed in depth in any form. This is a film that makes us re-think over our humble existences.