最能表現(xiàn)中國人世俗生活與精神世界的電影。導演在俯仰之間，洞察中國人生命的特質。
紅紅綠綠的七月歌臺，那些個看不見的“好兄弟”們。代表著古老而早熟的中國人對陰陽兩個世界的看法—世俗的生，超脫的死，再因愛而輪回。人生苦短，不過是一臺大戲。臺上唱的也好，臺下看的也好，他唱罷你登場，不須急，無法替，一切早有安排，一切早已看破。
一切早已看破，假戲仍要真做。

生命、友情、愛情、奮斗等等主題的融合，音樂、歌舞、幻想、游戲等等手法的雜糅，兩位主角真實不矯飾的演繹，和對逝去年代情調的追憶，以及導演對華族民間文化秉持的態(tài)度，讓我覺得這是一部不錯的片子，歌舞的地方與民間風格真是很獨特。那些如今聽來似已過時的歌曲，我覺得卻是老百姓心底真摯的聲音。
主題曲很好聽。老老的調子，卻溫暖著人心。。

Music
It is a musical, in the movie there are lots of Hokkien songs and Chen Jinlang’s famous songs. It is a movie full of local music and local feeling. It combined old songs and new songs together but audience won’t feel strange. Then the content of songs is all about sadness and with dolorous music, like ailment, separate, destiny. The lyrics are also reflection of Papaya sister’s own destiny.
Stage and costume design
Then design of stage and costume in this movie is flowery, give audience pleasure to eyes. For example of the last competition between Papaya sister and Durian sister, they changed many enchanting dresses on a glorious stage but sing some sadness songs with happy tune. This design emphasized the contrast between stage and true life. Reflect worldliness and flashy taste in those years.
Uncanny and funny factors

在這個常吃papaya的國度里，這樣滿懷樸素心愿的木瓜姐妹，那樣的萬種風情、歡歌悲曲，為新加坡的七月歌臺文化做了經典印象。
一人一半，感情不散。獨夜無伴守燈下，清風對面吹，十七八歲未出嫁，想著少年家……
如此“聲樂”，能不“溺于”？。
金曲吐一首，多少歌臺夢。

《881》琢磨不透的陳子謙
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