I cannot deny that the movie "Mudbound" is a sentimental and thought-provoking period drama. But at the same time, I have to point out that the buildup, or the first act is really overlong, lasting for more than an hour. The central figures in the film are Jamie and Ronsel, who served in the US military and are against racism. But their story only starts after the one hour mark, at which point the audience get bored and tired. The film would be much improved if the buildup were shortened.
Topical epithets like“African-American”,“female”,“l(fā)esbian” can immediately boost filmmaker Dee Rees as a shoo-in of any awards consideration to validate the industry’s all-inclusivity dedication, but when MUDBOUND, her stirring second feature, misses both BEST PICTURE and BEST DIRECTOR nominations in the Oscar race, we can impute it to its bad luck, but never to the movie’s artistry, as both Jordan Peele and Greta Gerwig overshadow her with the same politically cor
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[https://read.douban.com/reader/column/7902591/chapter/46196832/]
試讀部分章節(jié)：
《泥土之界》是一部被低估了的佳片，它講述的故事看似簡單，其實(shí)不然，它包含的主題太豐富了：種族歧視，民權(quán)運(yùn)動(dòng)，亂倫，弒父，二戰(zhàn)，愛。故事的結(jié)構(gòu)如房子的鋼筋水泥般穩(wěn)固，細(xì)節(jié)充滿溫情，又一步步導(dǎo)向最終的主題，人物性格刻畫很飽滿，細(xì)節(jié)與結(jié)構(gòu)的筋骨渾然一體。
人物性格的刻畫在本片中是一大亮點(diǎn)，每個(gè)人的性格都十分鮮明，他們的形象也很立體
一絕的劇情片 有關(guān)于電影泥土之界的一篇小感悟
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