freeOK概要：The Hand of a Princess, the Deadly Match of Mystics; Golden Deer, "; when the baby was born, he changed into a quasi Mount Taishan who was raised by a lion; in addition to the well-known kitchen sink, everything else was thrown into this luxurious fantasy adventure. Aminio (Massimo Girotti), an abandoned son dressed in Loin's clothes, left the jungle where he grew up when he came of age, and unconsciously began to realize a prophecy that would enable him to regain his inherent throne. The Iron Crown reappeared the image of an invincible muscular hero in Italian popular silent movies, and predicted the upsurge of" swords and sandals "that originated in the 1950s. That country was more directly triggered by two major international pop songs: Alessandro Blasetti's own 1949" FABIOLA "(released in 1949) Less than ten years later, with American bodybuilder Steve Reeves' 'HERCULES'. The Iron Crown has won; Mussolini Cup; Won the Best Italian Film Award at the Venice Film Festival, but was not released in the United States until many years after the end of World War II. Although few people remember it today (compared to some of the movies it partially inspired), it exists as a vibrant but foolish gem of escapism. Here, it is presented in the original language with English subtitles, minus the clumsy dubbing of poorly edited versions seen outside of Italy for decades - Dennis Harvey
網(wǎng)友收藏威尼斯金獅獎(jiǎng)最佳影片TSPDT- Ain't Nobody's Blues But My Own馬丁·斯科塞斯喜歡的電影電影是什么？威尼斯國際電影節(jié)金獅獎(jiǎng)電影節(jié)（意大利Venie）
The Hand of a Princess, the Deadly Match of Mystics; Golden Deer, "; when the baby was born, he changed into a quasi Mount Taishan who was raised by a lion; in addition to the well-known kitchen sink, everything else was thrown into this luxurious fantasy adventure. Aminio (Massimo Girotti), an abandoned son dressed in Loin's clothes, left the jungle where he grew up when he came of age, and unconsciously began to realize a prophecy that would enable him to regain his inherent throne. The Iron Crown reappeared the image of an invincible muscular hero in Italian popular silent movies, and predicted the upsurge of" swords and sandals "that originated in the 1950s. That country was more directly triggered by two major international pop songs: Alessandro Blasetti's own 1949" FABIOLA "(released in 1949) Less than ten years later, with American bodybuilder Steve Reeves' 'HERCULES'. The Iron Crown has won; Mussolini Cup; Won the Best Italian Film Award at the Venice Film Festival, but was not released in the United States until many years after the end of World War II. Although few people remember it today (compared to some of the movies it partially inspired), it exists as a vibrant but foolish gem of escapism. Here, it is presented in the original language with English subtitles, minus the clumsy dubbing of poorly edited versions seen outside of Italy for decades - Dennis Harvey展開
