freeOK概要：One of the best works of Argentine New Wave film master Tor é nielson, the 1961 Cannes International Film Festival Fei Bi Xi Award, and one of the most important Argentine new films of the 1960s. Those who like Jean Cocteau or Georges Franju should also like this film. Leopold Tori Nielsen may be the best film director in Argentina. He is a visionary person. He elevated the status of the local cinema in the late 1950s and early 1960s and pushed it to the world. He almost always creates scripts based on his wife Beatrice Guido's novels, just like the situation here. When I first watched this Gothic story, it told the story of hidden monsters and guarded secrets among the provincial bourgeoisie, which had a greater impact on me. When I looked at it for the second time, what used to look scary was no longer applicable. The husband and wife team of Beatriz Guido and Leopoldo Torre Nilsson once again wrote and directed another drama about the life of the upper middle class in society. In this captivating story, a young woman named Laura (played by Elsa Daniel) returns from boarding school to a once wealthy but now almost unmanageable home. She discovered that an aunt had locked herself in the attic and spent the rest of her life mourning the loss of her beloved, which happened when the man abandoned her on their wedding day. Laura decided to pursue this man and take him to meet her aunt, just to save this woman. She successfully tracked him down and convinced him to visit her aunt, while she herself was attracted by his charm and stunning handsome appearance. After Laura's initial goal was achieved, the entire scene changed.
One of the best works of Argentine New Wave film master Tor é nielson, the 1961 Cannes International Film Festival Fei Bi Xi Award, and one of the most important Argentine new films of the 1960s. Those who like Jean Cocteau or Georges Franju should also like this film. Leopold Tori Nielsen may be the best film director in Argentina. He is a visionary person. He elevated the status of the local cinema in the late 1950s and early 1960s and pushed it to the world. He almost always creates scripts based on his wife Beatrice Guido's novels, just like the situation here. When I first watched this Gothic story, it told the story of hidden monsters and guarded secrets among the provincial bourgeoisie, which had a greater impact on me. When I looked at it for the second time, what used to look scary was no longer applicable. The husband and wife team of Beatriz Guido and Leopoldo Torre Nilsson once again wrote and directed another drama about the life of the upper middle class in society. In this captivating story, a young woman named Laura (played by Elsa Daniel) returns from boarding school to a once wealthy but now almost unmanageable home. She discovered that an aunt had locked herself in the attic and spent the rest of her life mourning the loss of her beloved, which happened when the man abandoned her on their wedding day. Laura decided to pursue this man and take him to meet her aunt, just to save this woman. She successfully tracked him down and convinced him to visit her aunt, while she herself was attracted by his charm and stunning handsome appearance. After Laura's initial goal was achieved, the entire scene changed.展開
