I drive myself totally crazy, trying to get the sound that I can hear in my head to come out of the speakers.
As writers, we start with the feeling and everything follows from that.
We are always worried about being satisfied. When you become satisfied, it's sort of like you just die.
There is a tension in that music that you can feel. It just feels like there's this place where, you know, my soul rests and these guys were expressing it.
I got really into drumming, playing along with the records. Those rhythms got into me early. 100% only caring about music and rhythm. I had a bedroom that was about 7 by 7 feet, really small. There was so much junk I had collected. I had two drum sets in there, a guitar amplifier and a reel-to-reel, and no bed. I took the bed out. I slept on a piece of foam on an angle by the door.
...and so I found ways of playing these chords where I'd eliminate cer…
I find this "documentary" to be dull. I had to fast forward to select the part where they really talk about their music.
Let me make it short, Jimmy page might have done way too many interviews, I totally understand, I mean if I were him, I would have run out of things to say, or just simply hate to repeat things I have told millions of times.
and I am not very into Jack White. I find his music too raw and moody. It's just me. But Tom Waits is raw and moody, but he makes a lot sense to me. Jack white definitely experiments with many ways to play a guitar, but that's nothing new, I think he just does it wrong.
The edge, on the other hand, is pretty amazing, The edge is underrated, his guitar playing is quite simple but amazing. He doesn't "borrow" from anyone else, but create a whole new way to playing.I like the way he always puts on this big smile to others.
The film-photography i…
吉他不是搖滾樂的全部，卻足以詮釋搖滾樂的靈魂。
我愛搖滾，但要我說我最喜歡搖滾樂的哪一部分，我還是會很自私的說——吉他。
我知道，單有吉他不可能創(chuàng)造出搖滾樂。沒有鼓就失去了節(jié)奏的快感；沒有貝司就缺少了音樂的基調(diào)；沒有主唱，這個我認(rèn)為搖滾樂當(dāng)中最簡單又是最困難的部分，就缺少了樂隊的辨識度?？晌揖褪窍矚g吉他，沒有理由。
It might get loud，這部電影的中文譯名叫《吉他英雄》。翻譯的人估計是個搖滾迷，看著Jimmy Page，The Edge，Jack White這三個人的名頭，給了個跟這英文片名毫不相干的名字。而這個英文名的取名者，也就是導(dǎo)演，居然根本就不是個搖滾迷，而記者問他為什么選擇這三個人時，導(dǎo)演還很搞笑的說了句“我也想找Jimi Hendrix啊”。話說回來，正因為這個導(dǎo)演并不迷戀搖滾樂，才能用這樣一種寫實甚至有點清新的方式表現(xiàn)出三位吉他大師的內(nèi)心世界。
花白頭發(fā)的Jimmy爺，略顯蒼老的Edge叔，加上依然有著青春活力的Jack，三個年齡段的吉他手，讓我不得不佩服導(dǎo)演的選人。
Jimmy爺出道于“披頭士年代”，搖滾樂剛剛起步，所有的…
坦白說, 我并不喜歡看紀(jì)錄片. 尤其是這類擺拍而沒有多少紀(jì)實性的紀(jì)錄片. 3個吉他手在攝影棚里圍坐在一起聊天, 對音樂不感興趣的人來說更沒有什么吸引力可言. 3人的成就地位拋開不談, 就電影的角度來看, 如此隨性的安排布置, 聊天過程中穿插著零星的閃回和訪談, 完全沒有情節(jié)故事的東西對我來說看起來實在太累了. 我甚至沒有耐心從頭到尾一次看完.只有在Jack White講到他童年和家鄉(xiāng)的時候仔細(xì)回頭看了幾遍, (題外話, Jack White在3人中比較特殊, 我感興趣的是一個生長于80年代的底特律白人小男孩, 是如何在一個黑人文化泛濫的地方習(xí)得Blues音樂的影響)
每當(dāng)鏡頭前臺下萬人合唱, 臺上吉他手們千嬌百媚, 手中吉他上下飛,意外的發(fā)現(xiàn), 這對現(xiàn)在的我來說觸動少了太多了. Stairways to heaven也僅僅讓我開大了點音量.換做5年前, 我不在屏幕前感動的*&^$%才是奇怪,
但是Anvil的偽紀(jì)錄片我卻非常開心的看完了, 而且刻盤保存(我有看完電影就刪, 幾乎不看第二遍的習(xí)慣), 不是因為Anvil的故事比他們3人更好更精彩, 而是影片中他們的故事是如此平凡. 平凡到你看著他們就會想到自…
吉他英雄：It could have been loud and articulate
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