freeOK概要：A group of innocent people were charged with human trafficking and imprisoned. The authorities announced a crackdown on organized crime; The public can rest assured. In Mexico, "pagans" are victims of this program. In her second feature film documentary, Tatiana Huezo tells a young mother about her journey through hell: she is innocent, deprived of her freedom, and handed over to those she is asked to redeem - in a private prison controlled by the Gulf cartel. Tempestad is a road movie: taking a bus from Matamoros to Cancun, driving 2000 kilometers, passing through a windy, cloudy, and desolate country. Fully armed warriors inspect, and fear is everywhere. A country deeply embroiled in invisible warfare, its front line is also invisible. The audience never saw the protagonist, only heard her voice. These images create space for our own imagination and help us digest the monsters of this story. When they create identities, they deceive us because they invite us to think about other stories, other fates. The movie itself tells one of the stories, the story of a circus performer losing his daughter. Necessary editing in a film with immense power. berlinale 2016
網友收藏【90】2018年奧斯卡外語片送選情況Film Comment歷年之選（未發(fā)行）LATIN AMERICAN FILMS (10-19) by CINEMA TROPICALSouth AmericanBerlinale 2016 | 第66屆柏林國際電影節(jié)Letterboxd 紀錄片 Top 250
A group of innocent people were charged with human trafficking and imprisoned. The authorities announced a crackdown on organized crime; The public can rest assured. In Mexico, "pagans" are victims of this program. In her second feature film documentary, Tatiana Huezo tells a young mother about her journey through hell: she is innocent, deprived of her freedom, and handed over to those she is asked to redeem - in a private prison controlled by the Gulf cartel. Tempestad is a road movie: taking a bus from Matamoros to Cancun, driving 2000 kilometers, passing through a windy, cloudy, and desolate country. Fully armed warriors inspect, and fear is everywhere. A country deeply embroiled in invisible warfare, its front line is also invisible. The audience never saw the protagonist, only heard her voice. These images create space for our own imagination and help us digest the monsters of this story. When they create identities, they deceive us because they invite us to think about other stories, other fates. The movie itself tells one of the stories, the story of a circus performer losing his daughter. Necessary editing in a film with immense power. berlinale 2016展開
