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    免費(fèi)看電影難以置信的事實(shí)
    難以置信的事實(shí)
    豆瓣高分

    難以置信的事實(shí)

    無法置信的事實(shí)

    影片信息

    難以置信的事實(shí)
    豆瓣推薦
    • 片名:難以置信的事實(shí)
    • 狀態(tài):更新至1集
    • 主演:安德林妮·夏莉/羅伯特·約翰·伯克/馬特·馬洛伊/凱莉·萊卡特
    • 導(dǎo)演:霍爾·哈特利
    • 年份:1989
    • 地區(qū):美國(guó)
    • 歸類:劇情/喜劇
    • 時(shí)長(zhǎng):90 分鐘
    • 上映:1989-09-08
    • 語言:英語
    • 更新:2025-09-15 20:51
    • 豆瓣:8.2
    • freeOK概要:  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.   Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)   As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.   The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).   Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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    freeOK概要

     網(wǎng)友收藏1001 Movies You Must See Before You Die友鄰評(píng)分>>那些被用作Band Name的電影BFI Lists Vol.4待二刷/三刷/甚至四刷希望為電影——獨(dú)立電影
      Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.   Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)   As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.   The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).   Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

    影摘

    【難以置信的事實(shí)】我們所聽說的和所看見的

    (劇透預(yù)警!)
    好怪好帥這片好可愛。
    外表是古怪少女跟禁欲大叔,內(nèi)里卻是不愿被社會(huì)和大眾規(guī)訓(xùn),堅(jiān)持自我的靈魂相投。
    女主Audrey太讓人喜歡。
    她堅(jiān)守的末日虛無觀,本身就是一種對(duì)存在主義的尋找。
    她也許脆弱,在父親的貶低中,為了證明自己考上哈佛。但更多的是強(qiáng)大,考上是一回事,想不想去是另一回事,無人可左右我。即便他人對(duì)于她所在意的末日、炮彈皆嗤之以鼻,這個(gè)“古怪”少女卻依舊遵從本心。
    更不用說她如此美麗。晨起一幕堪稱經(jīng)典。日光猶如眼神,替我一寸一寸磋磨她的肌膚

    Hal Hartley的處女作像一部短篇小說,里面充塞著古怪而可愛的角色,用美式英語說著冷幽默般的臺(tái)詞。多次出現(xiàn)的黑屏和大號(hào)體字幕讓我恍如在閱讀一本有聲有色的影像圖書。故事情節(jié)也夠簡(jiǎn)單的,性格南轅北轍的男女主角莫名其妙地彼此戀上。如此浪漫喜劇卻在導(dǎo)演的手中卻煥發(fā)出一股極其古怪的味道:殺人犯、末日降臨、裸體模特、華盛頓總統(tǒng)……現(xiàn)實(shí)情節(jié)中竟不自覺流露出一絲荒誕的詩(shī)意,尤其每當(dāng)女主角說聽到什么聲音時(shí),整個(gè)氣氛和格調(diào)頓時(shí)變得奇異。影片那個(gè)完全開放式的結(jié)尾更是讓我印象深刻。

    【難以置信的事實(shí)】我們所聽說的和所看見的
    轉(zhuǎn)載請(qǐng)注明網(wǎng)址: http://www.mmedi.cn/archives/id-31842.html

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