freeOK概要：【總導(dǎo)演】笹川廣志【導(dǎo)演】笹川廣志、九里一平、原征太郎【原作】吉田龍夫【劇本】鳥海盡三、廣瀨正、草川隆【美術(shù)導(dǎo)演】中村光毅【音樂】越部信義【OP動(dòng)畫】洼詔之【首席動(dòng)畫師】須田正己三船剛：田中雪彌三船大助：大宮悌二三船克里夫：堀絢子志村美智：野村道子子子子子：富山敬蒙面賽車：愛川欽也《馬赫GoGo》1967年在日本成立第二部TV動(dòng)畫作品，也是其制作的第一部彩色TV動(dòng)畫（請(qǐng)注意，日語中“5”和“號(hào)”和英文“Go”發(fā)音相同，所以原名也可以是《馬赫5號(hào)Go》）。The author is the author of the author, the author of the author is the author of the author, the author of the author is the author of the author. It is an outstanding performance of "Mach number" (chubun name "chokei"). Because of the low and high degree of height of one hand, it is the fact that the expression of the weight of the part of the face of the ship and the part of the picture of the part of the hand is the description of the place of the third, and the main part or the place where the subject is put in the crime, and in the crime, and the main angle is the person who is the friend and the friend, and it is the self adherence of the friend, and it is a self reliant, and it is a malfunction, and it is a delusion. In the sixties of Japan, it was the most popular in the world
【總導(dǎo)演】笹川廣志【導(dǎo)演】笹川廣志、九里一平、原征太郎【原作】吉田龍夫【劇本】鳥海盡三、廣瀨正、草川隆【美術(shù)導(dǎo)演】中村光毅【音樂】越部信義【OP動(dòng)畫】洼詔之【首席動(dòng)畫師】須田正己三船剛：田中雪彌三船大助：大宮悌二三船克里夫：堀絢子志村美智：野村道子子子子子：富山敬蒙面賽車：愛川欽也《馬赫GoGo》1967年在日本成立第二部TV動(dòng)畫作品，也是其制作的第一部彩色TV動(dòng)畫（請(qǐng)注意，日語中“5”和“號(hào)”和英文“Go”發(fā)音相同，所以原名也可以是《馬赫5號(hào)Go》）。The author is the author of the author, the author of the author is the author of the author, the author of the author is the author of the author. It is an outstanding performance of "Mach number" (chubun name "chokei"). Because of the low and high degree of height of one hand, it is the fact that the expression of the weight of the part of the face of the ship and the part of the picture of the part of the hand is the description of the place of the third, and the main part or the place where the subject is put in the crime, and in the crime, and the main angle is the person who is the friend and the friend, and it is the self adherence of the friend, and it is a self reliant, and it is a malfunction, and it is a delusion. In the sixties of Japan, it was the most popular in the world展開
