If architecture is compared to "frozen music," then the exterior of the house is the sheet music. We attempt to interpret the timbre and form of this century symphony by exploring the architecture in post Soviet space. And more importantly, understand what kind of conflict it presents to modern audiences. If the architecture is "; freeze music";, So the front of the house is its score. We explore the architecture of post Soviet space, from wooden architecture to Baroque and Classical, from the Art Nouveau movement to Stalinist and Khrushchev architecture, and traces of these buildings can be found in the modern panel architecture known as the "human ant hill". By doing so, we attempt to understand how this centuries old symphony sounds and looks, and most importantly, we discover an irreconcilable conflict between individuality and the masses, which is unique and typical, even reflected in the stones.