影片的最後，我們聽到Orson Welles的朗讀，
“The river, sleepless, crowded with memories of men and ships, hunters of gold and the pursuers of fame, What greatness has not flowed on the ebb of that river, into the mystery of an unknown earth. The dreams of men, the seeds of commonwealths, the germs of empires. The river is black tonight, my friends. Look, it seems to lead to the heart of an immense darkness”
河流，無眠，充斥著人和船隻的記憶，追名逐利者

利用埃莉諾當年拍攝和錄音的素材，真實展現(xiàn)了現(xiàn)代啟示錄238天的拍攝過程！看完這片，我覺得不能只說科波拉瘋了，這個劇組就沒有正常人啊！并且科波拉甚至不是最瘋的，我覺得她老婆是最瘋的！
啥精神狀態(tài)帶著仨未成年孩子去菲律賓，不是去度假，而是去片場啊，衛(wèi)生和安全問題都很難保證??！說到科波拉抵押教父1和2掙來的私產(chǎn)，她說22間房的大宅太奢華了，沒有這樣的豪宅反而更舒服。認為科波拉拍片是總是從極致開始但最終回歸正常，因此對他充滿信心。拍攝人家犧牲場面

2023.9.3
正在四樓自習室看黑暗之心的我
突然被一個湊上來的陌生臉龐打斷
“學長，你是鄭州的嗎？”
這樣突如其來的問法一度令我的腦袋宕機，怎么可能看出一個人是哪的？
他而后又問“你是24的嗎？”
我強壓鎮(zhèn)定，往事的回憶如洪水般把我包裹起來
“啊嗯，你是？”
“我是你學弟??！”
“咱倆一個小學還一個高中！王志逸你還記得嗎！”
隨后他向我講起了好多東西，一口一個河南口音的哥喊著，那些蒙上厚厚灰塵的玩具記憶終被喚醒……
這位高中學弟當年通過我的QQ空間

And that, for me, it has to have some answers. And by “ answers”, I don’t mean just a punch line. It’s very hard to talk about these things without being very corny. You use a word like self-purgation or epiphany, they think you’re either a religious weirdo or an asshole college professor. But those are the words for the process, this transmutation, this renaissance, this rebirth, which is the basis of all life. The one rule that all man, from the time they first were

《黑暗之心》詢問你的夢境，就能活在當下
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