A humanist masterpiece. The film is certainly against the dehumanizing aspects of corporate life, but one hesitates to call it a "protest" movie, like some of Chaplin's repertoire. There is no expressed anger, but what I see as a reasonable, controlled indignation, made poignant by sympathy and sensibility.
Olmi's films never disappoint. His technical background gives him fine eyes for the subtlety of light and shadow in black/white cinematography. His two best-known works, "Il Posto" and "Il Fidanzati", are the epitomes of B/W accomplishment.

工作，很多時候是校園生活的延續(xù)，同時也是毀滅。
絕大多數(shù)的企業(yè)單位都延續(xù)了學(xué)校的條條框框，固定的時間，固定的地點，以前被成績壓迫，現(xiàn)在被業(yè)績壓迫。
同時，校園的純真又被毀滅地幾乎一干二凈。身邊的人不再是下課也一起玩耍的同學(xué)，而是下班就各走各路的同事，真心的朋友越來越難交。以前討厭一個同學(xué)遠(yuǎn)離即可，后來討厭一個同事，卻會因為工作不得不繼續(xù)與其交流。
類似這樣的情況，有人1961年就拍成了電影。埃曼諾·奧爾米用樸實紀(jì)錄的風(fēng)格打造出一部《工作》

艸，一份工作意味著什么？
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