Director Han Jie sets the story in his/my native province of Shanxi in Northwest-China, where coal mines sprang up all over the place during the nineties. The main character is also called Han Jie (the director's alter ego, he based the film largely on his own experiences) and grows up in this heavily polluted area, where most of the young men engage in petty crimes, like gambling and stealing. The young Han soon becomes a victim of the youth gang of Xiaosi, basically a bunch of feeble minded idiots who spend most of their day harassing school boys for their money, when they're not drunk or raping girls. When Han's cousin Xiping teaches Xiaosi and his "Gang of the Four Stars" a lesson, the gang members vow revenge, forcing him and Han to flee town.
I picked this one out because I rarely get a chance to see Chinese films and it seemed an interesting slice of life of modern China. This …

透過韓杰的鏡頭再次感受A FILM BY JIAZHANGKE的影蹤，即使模仿，也足以讓我充滿敬意。如果說《十七歲的單車》是小打小鬧，《賴小子》則是兇猛青春的告白，相同的都是真實。為了三個字母GDP，我們失去了藍(lán)色，綠色與白色；為了無窮的欲望，青春失去了動感，光鮮與自由。片中細(xì)節(jié)令人深刻：秀第一次走過操場，跑步的學(xué)生是一條直直的線路，秀第二次走過操場，跑步的學(xué)生右拐而去，預(yù)示青春的前行即將改變原有的軌跡；東東受到校園暴力后，回家的路上，面對水池投下大大的石塊，發(fā)泄心中的憤恨；復(fù)仇的械斗伴隨的是操場大喇叭共青團(tuán)歌曲；收費站闖卡收獲的自由也只是轉(zhuǎn)瞬即逝的快感。。。。。。，驚喜趙濤的友情客串依然樸實無限。賈樟柯的《小武》已經(jīng)收到了他所想要的結(jié)果，當(dāng)下的中國，一部２５０甚至更爛的機(jī)器就可以達(dá)到他曾企及的高度，就象劉德華的新星導(dǎo)計劃，他也開始了自己的監(jiān)制生活，為了真實的中國電影，與那些無關(guān)的虛華3億票房，MD，失去真實的鬼東西大制作若干年后誰又會想起。這段日子，我發(fā)了兩封伊妹兒聯(lián)系賈樟柯的電影訓(xùn)練營，回復(fù)要求寄送簡歷及個…

《賴小子》青春失去的時候
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