Really a middle-brow film with lots of fun and play, but not without some eeriness, especially when the uncanny presence of the Shakespearean dialogues punctuates the duo’s absurdist exchanges. They are thrown into the play and involved in the events that they half witness and half forget. When events are encountered in medias res, there are moments of disorientation, of doubting and groping for their selfhood. Here I am reminded of Rivette’s Celine and Julie Go Boating,

笑抽了?深深的存在主義烙印加上嘲諷式的幽默簡直絕配?哈姆雷特中兩個微不足道的小角色在其中真實又荒謬的存在著，一個代表哲思一個代表科學思想，爭辯著卻總找不到他們存在的終極意義,because, there's no such a thing as absolute rational existence at all, the only thing that matters is the reflection of the physical world on ones feelings moods and emotions, which is the fundamental and most real existence.分不清誰是Rosencrantz誰是Guildenstern，科學和哲思像硬幣的兩面，也許就沒有必要分開，科學家永遠離真理差一步而哲思家也總偏離問題，一切總被冥冥中什么左右，他們就是一體。刨去serious thinking，整劇簡直不能更搞笑！！不多說了，你們自己體會一下?

《君臣人子小命嗚呼》1990年，不過是殊途同歸
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