札記式地亂寫。完全是因為覺得比一般的青春片有點意思,電影嘛,要有點意思才有意思。
當學校發(fā)生惡性事件,評論說社會疏于關注。然而如同j.d.所言,學校本身就是一個社會,且是辛酸苦辣無限放大的一種。
青春可替換雙城記里的時代,它是最好的年代,是最壞的年代。是信任的年代,是疑慮的年代。是光陰的季節(jié),是黑暗的季節(jié),是希望的春天,是悲傷的冬天。一切展示在我們的面前,我們面前一無所有。一些最喧囂的權威堅持無論用好的還是壞的,都以最高級的形態(tài)來表述。電影讓青春可以承接了小清新的puppy love,可以接攬黑色幽默的殘酷,在最不明白毀滅和最以為可以毀滅的年紀,在物化具體的痛苦之前,我們有大把的時間大把的感情動輒,將大動干戈的悲喜裝點,懸崖的少年,都是如此度過。我們不能不屑,因為這樣單純著的自我毀滅,是最美的青春。
heatehers,維羅妮卡一開始回答j.d.的問題,她說她不是heathers,一開始她就表明了立場,她不是嘩眾取寵享樂其中的無所事事的,亦不是為了關注度的好評就隨意口交的,不是胡鬧傷人而內心無所愧疚的
The original screenplay had a different ending in which Veronica kills J.D. by shooting him and then straps the bomb (a much larger and more complicated piece of equipment, described as being "a cylinder as large as a television set") to herself, blowing up as J.D. does in the final ending. What is placed in the final ending as JD's boiler-room speech about "imagine I blew up the school, imagine I blew up all the schools" is contained in a suicide note found in Veronica's
1.在最后的最后,JD問Veronica的那個問題“Now that you’re dead, what are you gonna do with your life?”,像極了初遇時Veronica問他的那個“愚蠢的問題”。
2.JD曾在車上用Veronica受傷的手點燃香煙,在最后,Veronica也用JD的自我毀滅點燃了手中的煙(他們從身上拿出煙的位置甚至是一樣的)。
3.JD和他爸爸奇怪的對話方式是某種控制欲的表現(xiàn),外網(wǎng)有人說這是某種心理醫(yī)生用于家庭成員之間的治療方式,真實性暫不可考,不過這對父子確實都不太正常就是了。
The use of Moby Dick epitomizes the way that society will search to create a deeper meaning when it’s not there.
The hierarchy and desire for power corrupts people. Acaste system distracts everyone from the realization that it’s all meaningless.
Popularity is a proxy for things that we think would make us happy.
希德姐妹幫:極富創(chuàng)意!那些瘋狂的小事,不叫愛情
轉載請注明網(wǎng)址: http://www.mmedi.cn/archives/id-32088.html