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    FREEOK預(yù)告場奧利機(jī)場
    奧利機(jī)場

    奧利機(jī)場

    Orly, Poem 1-4

    影片信息

    奧利機(jī)場
    • 片名:奧利機(jī)場
    • 狀態(tài):已完結(jié)
    • 主演:若斯·德波夫/瑪倫·艾格特/娜塔莎·雷尼埃/布魯諾·托德契尼/米雷耶·佩里耶/埃米爾·貝寧/依爾卡·澤特/Lina Falkner/Marie Carmen De Zaldo
    • 導(dǎo)演:安格拉·夏娜萊克
    • 年份:2010
    • 地區(qū):德國/法國
    • 歸類:劇情
    • 頻道:dy
    • 上映:2010
    • 語言:法語,德語,英語
    • 更新:2025-06-17 03:56
    • 豆瓣:0.0
    • freeOK概要:  Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.   Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight.   The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

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      freeOK概要

       網(wǎng)友收藏Filmgeschichte Teil 2 2021 SS【已有資源】smz備份倉 難找片源片單|hard-disk films (European,pieces)封閉空間:島 / 船 / 飛機(jī) / 飛船(全)15th Pusan International Film Festival part.2
        Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.   Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight.   The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

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